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℧R

℧R reflects on violence as a foundation of current algorithmic societies: a violence of instructions, of systems, of infrastructures created with the specific purpose of abusing all living beings. Such systems work through loops, organized repetitions. Humans make instructions, machines repeat instructions, living things suffer instructions, on and on and on.

A thin body walks in the dark while a dim light flickers quietly. A path covered in soil is between them. Gazeless, the figure walks and prays, walks and prays, walks and, entranced, pries into the darkness. Its red cloth sanctifies it. Its missing face alienates it. The walk is a loop, a prayer, an aggression, an annihilation and a transformation.

An AI computer vision system watches over the body, attempting to distinguish the body from the ‘noise’ surrounding it. The AI wants to represents what it sees, but the system works against itself in a paradoxical loop; the more the algorithm learns to see, the brighter the light becomes. In the eyes of the algorithm, the body is eaten by the storm of light.

The flesh of the nameless’ limbs is amplified, microphones onto the muscular tissue magnify the inner sonic tumult of the body. The inner tension resounds in the rising brightness. Movement is sound, repeat; sound is vibration, repeat; vibration is pressure, repeat; pressure is released. A grinding howling grows ominously, repetition turns into dysfunction, brightness turns into blindness. Is the unnamed going to reach the light and burn, just as moths do?

℧R is a solo performance for a body, AI algorithms, lights and the vibrational force of sound. Embodied in Donnarumma’s musical instrument XTH Sense, an interactive, machine learning algorithm transforms the inner sound of muscles, blood, and bones into a real-time choreography of movement, sounds and light. The piece combines multi-sensorial stimulation with human-computer interaction and somatic practices to test the seeming impossibilities of bodily articulation and repetition.

℧R is a rhizome of the Humane Methods project, an ongoing reflection on violence in algorithmic societies.

“The impact of this occasionally grandiose piece stems precisely from the feelings of uneasiness, unpredictability and horror associated with the idea that a pre-technological stage of being never existed. The performer is able to invoke and systematically develop those feelings, to the point that at one point a few members of the audience left the performance. The value of these reactions, of course, is not in their shock, but in the intensity of the reflection of seemingly self-evident existential states.”
Dijana Grubor, Kulturpunkt HR

Format

Solo performance for faceless body, algorithms, sound and light.
Duration: 30 minutes
Media: Facial graft, soil, artificially intelligent algorithms, biosensors, biophysical music, multi-channel sound diffusion, interactive light.

Credits

Development: Fronte Vacuo (Donnarumma, Pevere, Familari)
Choreography, performance, biophysical music: Marco Donnarumma
Ephemeral graft: Margherita Pevere
Interactive light design: Andrea Familari
Interactive AI for sound: Baptiste Caramiaux
AI computer vision system: Meredith Thomas
Tour management: René Dombrowski

A production by Fronte Vacuo, directed and performed by Marco Donnarumma

This work has been commissioned and produced by KONTEJNER, as part of Re-Imagine
Europe, co-funded by the Creative Europe Programme of the European Union.
Co-funded by the Digital Culture Programme of the German Federal Cultural Foundation. Developed @AKADEMIE FÜR_THEATER_UND_DIGITALITÄT.

Shows

  • arebyte Gallery,
    London, UK, 2022
  • Retime, Group exhibition,
    Kunst Universität, Linz, AT, 2022

  • World Premiere, Touch Me Festival,
    Kontejner, Zagreb, HR, 2020
FRONTE VACUO Est. 2019-until the doom. | All media licensed under a CC BY-NC-SA 3.0 unless otherwise stated.